Image credits
The pictures belong to their makers.
Full compositions, visible credits and a source for every collection work.
Royal Albert Dock, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Royal Liver Building, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Waterstones, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Rain on Water Street, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Water Street, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Match Day at Goodison Park
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
St Luke’s — the Bombed Out Church, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Exchange Station, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Chinatown Arch, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Keith’s, Lark Lane, Liverpool
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Outside the Golden Lion, Ormskirk
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Ormskirk Clock Tower
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Market Stalls, Ormskirk
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
Long Shadows, Southport
Mark C Grant
Ink and watercolour
© Mark C Grant
Artist-owned work, used in Mark’s publication
The Lake of Zug
Joseph Mallord William Turner · 1843
Watercolor and bodycolor (gouache) with reductive techniques over graphite
The Metropolitan Museum of Art, New York. Marquand Fund, 1959
CC0 1.0 / Public Domain (Met Open Access)
Fishing Boats, Key West
Winslow Homer · 1903
Watercolor and graphite on off-white wove paper
The Metropolitan Museum of Art, New York. Amelia B. Lazarus Fund, 1910
CC0 1.0 / Public Domain (Met Open Access)
Abriès
John Singer Sargent · ca. 1912
Watercolor and graphite on white wove paper
The Metropolitan Museum of Art, New York. Gift of Mrs. Francis Ormond, 1950
CC0 1.0 / Public Domain (Met Open Access)
Farm Building by a Pond
John Sell Cotman · 1808–11(?)
Watercolor over graphite
The Metropolitan Museum of Art, New York. Rogers Fund, 1906
CC0 1.0 / Public Domain (Met Open Access)
Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin · 1796–97
Watercolor and bodycolor (gouache)
The Metropolitan Museum of Art, New York. Rogers Fund, 1906
CC0 1.0 / Public Domain (Met Open Access)
Sewing near the Window
Berthe Morisot · about 1885
Watercolour and graphite on paper
Cleveland Museum of Art, Sundry Art – Miscellaneous Fund
CC0 1.0 / Public Domain (Cleveland Open Access)
Valle de México desde el cerro de Santa Isabel
José María Velasco · 1875
Oil on canvas
Museo Nacional de Arte, INBAL, Mexico City. Google Art Project reproduction via Wikimedia Commons.
Public Domain Mark 1.0; faithful reproduction of a public-domain painting (Wikimedia Commons PD-Art)
The Skeleton of the Buses
José Guadalupe Posada · c. 1900–10
Relief etching and letterpress
The Cleveland Museum of Art. Gift from funds of various donors to the Department of Prints and Drawings.
CC0 1.0 (Cleveland Museum of Art Open Access; individual record share_license_status: CC0)
In the Generalife
John Singer Sargent · 1912
Watercolor, wax crayon, and graphite on white wove paper
The Metropolitan Museum of Art, New York. Purchase, Joseph Pulitzer Bequest, 1915
CC0 1.0 / Public Domain (Met Open Access)
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