One corner. Twenty minutes.
A short outing with a beginning, a middle and a sensible place to stop.
Read & try it ↗Fieldcraft
The practical bit of being there.
Viewpoints, weather, moving people and a bag that earns its keep. Advice for the real conditions around the drawing.
The weather is part of the drawing.
Shelter, changing light and a page that remembers what the day felt like.
Read & try it ↗
Before the tea goes cold.
Tables, chairs and the small architecture of an ordinary interior.
Read & try it ↗
A bag you will actually carry.
The useful kit is the one that lets you leave the house.
Read & try it ↗Your first sketchwalk. No entrance exam.
Find the meeting, bring a small kit and make the first page manageable.
Read & try it ↗
Mind the gap. Draw the waiting.
A station study built around structure, repetition and people between journeys.
Read & try it ↗The market will not hold a pose.
A canopy, a cluster of people and the rhythm of things changing hands.
Read & try it ↗After dark, the windows do the talking.
A night study that begins with the lights you intend to leave alone.
Read & try it ↗
Cold hands. Smaller plans.
A short winter outing that does not confuse endurance with artistic commitment.
Read & try it ↗
Three stops beat twelve intentions.
Plan a small route with enough time to actually make the drawings.
Read & try it ↗A museum is a place, too.
Draw the rooms, visitors and viewing arrangements as well as the objects.
Read & try it ↗When someone peers over your shoulder.
A friendly answer, a comfortable boundary and permission to keep working.
Read & try it ↗The window seat counts.
A useful location study for days when staying inside is the sensible plan.
Read & try it ↗
The holiday is not a drawing quota.
Build a record of a place while leaving enough time to experience it.
Read & try it ↗Move your feet before the pen.
Composition is easier to change while it is still a choice of where to sit.
Read & try it ↗
People who won’t stand still.
A gesture, a direction and a place to put their feet. No one owes your sketchbook a pose.
Read & try it ↗
A line does not have to explain everything.
Contour, overlap and a few useful silences. Give the pen a job beyond outlining the world.
Read & try it ↗Your turn
A page of your own. A story to add.
Show your sketch, ask a question or tell us what you noticed. There’s room for the wonky windows too.
Pass it on
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